A traveling exhibition of the largest collection of Asian typewriters showcasing the engineering behind typing languages with thousands of characters.
Identity, Exhibition Design, Illustration, Website
The identity system focuses on a "rift" down the center of content, referencing the gap between Western and Eastern typing technologies throughout history. This gap is where the Radical Machines exhibit exists, filling in the missing pieces of history behind these machines that was otherwise undocumented.
The first stop on the traveling exhibition was the Museum of Chinese in America in Chinatown, NYC
We developed an illustration system for all the machines on display to correspond with the noise texture seen across the site
All exhibition panels and materials feature the "rift" by creating a negative space that divides content left and right
The printed matter produced for the exhibition leveraged the "rift" by displaying content in the negative space in playful ways including footnotes, annotations, machine information, etc.
The website features a custom "center bar" navigation that works as a fixed navigation for the entire site
Thomas Mullaney, Stanford University
Kevin Chao, Sean Danz
Kevin Chao, Sean Danz
Sean Danz
Colton Brown
Mike Finkelstein